Feature Stories
published online and in print.
The Water That Couldn’t Save
Will the Great Salt Lake go up in dust?
Deseret Magazine
April 2021
The Life-Affirming Power of the Family Reunion
Deseret Magazine, May 2021
A Dark Horse
How a high school dropout cracked the code to success
Deseret Magazine, March 2021
Turn Your Phone Into a Polaroid Camera - Wall Street Journal, March 2019
Complex, 2019. Full story here.
Complex, 2019. Full story here.
What You Need to Know About Traveling to Cuba Under New Trump Policy
How traveling from the U.S. to the island nation will change under Trump's order
How Frozen Waters Saved Iceland's First Professional Surfer
Heidar Logi found peace in the turbulence of the ocean
“When you let go of the things you don’t truly want in your life, there’s room for everything you do want,” he says with a smile that can only be described as easy. “But to have what you want in your life, you have to be all in. This water taught me that.”
Chris Mosier on Making History as First Trans Member of Team USA
"It's a very different experience when you put the person before the pronoun."
Blind Paralympic Swimmer Tucker Dupree Is the Embodiment of Perseverance
What It Takes to Be Columbia's Director of Toughness
I grew up on a cattle farm in rural Missouri where the standing rule was “You reap what you sow.” I took that with me when, at 21-years-old I was introduced to my first mountains in my post-grad home of Santa Fe, New Mexico. To get to harvest, you have to put in the work. Same goes when you bag a summit or paddle a river or scale a face.
THE 8 MOST INSPIRING MOMENTS FROM THE 2016 ESPYS
"It’s not about being a role model…it’s about choosing to speak up."
The Super Bowl's Secret Army: How the Big Game Gets Built
“We have to make it work because no matter what, that game is going to come on,” says Kevin Jennings, the project manager of exterior game day facilities. “It’s our job to make sure that no matter what changes, if kickoff is at 3:25 on February 7, at 3:24 on February 7 nothing stops that ball from being kicked.”
“WE SAID, ‘TO HELL WITH IT,’ AND DIDN’T WAIT FOR THE REST OF THE WORLD TO SAY THAT WHAT WE ARE DOING IS A GOOD IDEA.”
“The photographs she takes have a way of looking ghostly, with blue eyes looking eerie and white, skin looking waxy and polished—but they maintain a structured, layered truth to them, like all the portraits you see taken from the 1800s. To see the present day in these unearthly tones is what makes Ross’s art so alluring. There is no PhotoShop, no retouching, no effects, no tricks. Between a woman, her large format 1915 camera, and her subjects, there is an alternate reality created of what we see every day”